Brea McDonald, original photo on Houzz, original photo on Houzz
Glossy paint and country-style furnishings make a 19th-century interior an affair to remember.
When Gail Landry bought her 1870s farmhouse in Buxton, Maine, three years ago, it had been in the same family for nearly a century. Given the outdated paper on the walls, linoleum “area rugs” on the floor and fussy sheers on the windows, it looked like it had been that long since it was decorated too.
Landry wanted the home to serve as a personal retreat and as an event center she could rent out for weddings, so an update was definitely in order. For assistance she called on interior designers David Nastasi and Kate Vail of Nastasi Vail Design in Brooklyn, New York.
The house wasn’t insulated, so Nastasi and Vail tore out the lath and plaster walls (and the old newspapers that were stuffed inside), added insulation and installed new drywall.
AFTER: The wall between the rooms was replaced with beams that distribute the weight of the second floor onto pilasters at either end. The newly joined rooms seat 24 comfortably, and the tables can be split and rotated 90 degrees for more intimate gatherings.
The glossy ceiling multiplies the light from the chandeliers and reflects candles on the table at night, filling the room with a romantic glow.
Chandeliers: Visual Comfort
The designers removed the trim from both rooms because it didn’t match, and replaced the tall Victorian baseboards and fussy door surrounds with casework that felt more modest, in keeping with the home’s style and proportions. “We actually humbled the moldings a little bit,” says Nastasi.
Corner chairs: Zentique